If you are a STARZ Outlander fan, you will likely recognize Ronnie B. Goodwin from Season 1 as he played one of the 18th-century Scottish Highlanders of the MacKenzie clan. He can mainly be seen with the other MacKenzie men riding through the countryside escaping the English red coats, collecting the tenant rents, and keeping an eye on the strange Sassenach woman. His character never had a name or any lines, but he did have a formidable presence on screen that was hard to miss.
Ronnie was gracious enough to agree to an interview with me and answer some questions about his experiences working as an actor on Outlander and working with the horses in the show. He also shared some information about his personal passion for horsemanship and photography.
Can you tell readers who you are, where you live, and your experience in film?
My name is Ronnie B Goodwin. I live in a small town called Dumbarton about 30 minutes from Glasgow, Scotland. I have been making films and working on films since my early 20's predominately riding horses and acting. I always have had a love for film, photography, and art. My background is in engineering, farming, and most outdoor activities along with a love for adventure and exploration.
How did you hear about and audition for Outlander? Did you take a riding test to show you knew how to handle a horse?
One morning I was doing my usual emailing and social networks, and an ad appeared on Facebook "Bearded Horseman Required," so I clicked the "Like" button. Next day, I was being auditioned for a little known show called Outlander. It was the first days of auditioning, so I got to meet the main cast, show runners, and mingle a bit. From that day on, I had the most intense, enjoyable, miserable, and taxing experience of my life. I was cast as a Highlander Horseman-no name, no lines, just a lot of shouting.
Tell me about the horses you rode in the show.
I was handed a 17.2 [hand] Hanoverian called George - an old hand at filming. He was in War Horse and Van Hellsing, and his CV (resume) was greater than mine. He was a very gentle giant and responded to almost every instruction I gave him. His ability to not spook and keep his head was fantastic as guns shots and squibs were going off every time we were out on set. He was a joy to sit on.
Was there any other horse on the show you wished you could have ridden such as Sam Heughan's (Jamie Fraser) Friesian or Graham McTavish's (Dougal MacKenzie) Percheron? Did you get to ride any of the other horses seen on the show off-screen?
I was on George for the duration of my time on the show (8 months) on and off, not consistently. I did wish I was on a smaller horse at some points, particularly when having to mount and dismount 20 times in a row. I am tall, but after awhile it got quite exhausting. I would have loved to sit on Sleepy - Sam's horse. Never had the chance to ride off-screen other than the riding auditions.
Do you have any funny stories about the horses on set? I heard in an interview that sometimes the horses would take off with the actors and the camera people would keep rolling hoping to get some good shots.
On one occasion I was to mount George, and then lift Roy on to the back of mine as his horse had been shot from under him. I mounted, leaned down to gather up Roy, and his weight took the two of use off the horse. My feet were still in the stirrup irons, and I ended up upside down under George; my kilt was around my ears, and the entire crew were watching. We had been in the wet all day and George was very wet, and as the day went on his girth loosened. The groom got a ticking of as did I.
There were a couple of occasions when horses were spooked and both horse and rider would be off like a shot. Nobody was hurt, but a few red faces :).
I saw some interviews from the main actors who talked about how the horses were cared for more than them. During breaks, how were the horses cared for?
The horses were very well cared for. There was always a vet nearby, and yes, fed and watered more regularly than cast and supporting actors. I was happy to see the care they received.
Did you have much time to work and get comfortable with the horses you rode before you started filming or did you arrive on set and ride a strange horse?
We showed up, the horses were tacked and ready, we got on and started our day. Sometimes after long periods of standing around, we would walk the horses to keep them warm.
What is it like to ride in a kilt? Was it hard to keep a good leg grip and stay steady in the saddle? Would you ride in the kilt again on your own time or never again?
Firstly, the saddles were Portuguese saddles with big thick sheepskin numnahs (saddle pad,) and this made it tough to grip. I could barely touch the horse with my heels. The saddles were high in the front and high in the back, so mounting was always a task; always fiddling with the kilt after seated on the horse, not very Highlander, and riding in the kilt was not so bad. Getting off was sometimes difficult as I got tangled on the high points of the saddle with steel weapons and musket, could get messy, but all went well. On my own time, I would never ride in a kilt; always getting nipped on the thigh, and could get very cold and wet. Crazy times :)
Have you been involved in other film productions where you worked with horses?
I was a rider on Lorna Doune many years ago. Also, umpteen short films and work for TV.
Tell me about your history with horses. What breeds have you owned?
I owned for a short while a Clydesdale cross Irish Draft named Leah. He was a big sweetheart and still works for the disabled kids. I had to sell him when he turned 5.
Where is your favorite place to ride a horse in Scotland?
When I visit my sister, we go for the occasional ride on the grounds of Balmoral. She breeds Highland Ponies for the Queen. Balmoral is also where I take pictures on a good day.
Tell me about your photography. How did you get into it? What do you enjoy shooting the most?
I make films as well as photography. My career took a bit of a twist. Last day shooting on Outlander, we were making the Time Warner ad for the show; riding and doing my thing. On the way home I started to sweat and feel extremely sick. I had been bitten by a tick, and soon after I found I had contracted Lyme. So for the next almost 3 years I had to rethink my career and get healthy, so I put down my film camera and started gathering wildlife images, landscapes, etc. I had no energy to make a film so did what I could to keep active. My images are now how I make my living.
Describe your style and what you hope to communicate with your photos.
I simply like to make pictures that get me excited, and when I put them on my site, it is a joy to see people from all over the world purchasing my work and hanging the images in their homes. As far as style is considered, I have worked hard to create my own style; unique I would think.
Where in the world would you like to travel to photograph? I see you were able to get some great pictures in Colorado.
I love to travel Scotland as the light always changes, and even a mucky day can look amazing. I did travel to Colorado. I had an event organised by my good friend Brian Terpstra. I did a talk at the Drake Centre, we explored the Rockies, did some fishing for wild trout, ate a lot of food and had a ball. I am hoping to do a proper explore on my next visit.
Below is a sample of Ronnie's beautiful images including some wonderful shots of Scottish ponies. You can view his whole collection and purchase images on his website https://ronniebgoodwin.selz.com/
Great thanks to Ronnie for this interview and for giving some great behind-the-scenes on Outlander and what it's like to act with horses. Please check out Ronnie's websites and follow him on social media.
Gallery and shop: ronniebgoodwin.selz.com
As 2017 comes to a close and I look back at all my posts from this year, I am so grateful I decided to jump into the world of blogging - particularly horse blogging. Let me open up to you all and tell you why I decided to start blogging. I am a stay at home mom to two very young boys who are currently 2 1/2 years and 8 months old. Back in June, it was the one year anniversary of me quitting my job and becoming a full-time stay-at-home-mom. While I do like being home full-time with my boys, I became very bored. My whole world was only about being a mom. The majority of my social life was with other moms and we naturally only talked about our kids and mommy things. I wanted to have something I could focus on that was not related to babies. One interest I had to put aside in my life, even before I had kids, was my love for horses and equestrianism. I have not owned a horse since I was a teenager, but I have worked at barns and volunteered with horse rescues, but currently because of the lack of time, I was not able to be around horses and connect with the horse community. How could I connect with other equine enthusiasts if I was not working with horses? I came up with the idea to start a blog when I was watching one of my favorite TV shows that brought up horse topics that I knew non-horsey people would not understand. So, I logged onto Weebly, wrote up my first post inspired from the show Outlander and talked about horse breeds in 18th-century Scotland, and hit the PUBLISH button. After not getting blasted with negative feedback (I seriously thought people would find my writing boring and juvenile), I kept posting about a new horse subject from a movie or TV show every two weeks. I connected with other equestrians on Twitter and then was invited to join an equestrian blogging group on Facebook that has been nothing but positive and supportive. Through this group that is mainly consists of bloggers from the United Kingdom, I found a blogger who lives literally ten minutes away from me in Western Washington. We met up, rode horses, and have become good friends. Here is a picture of us below.
I have become friends with other horse enthusiasts online who, unfortunately, live far away, but I hope to meet in person someday. It's amazing how close knit the equestrian community is all around the world and how willing people are to open up about their struggles with themselves, their horses, and life in general. While I am very busy with my family, I love logging online and reading everyone's new posts about their journeys with their horses and horse related activities.
In conclusion to this post, I would like to tell you all my three favorite posts in my blog from 2017.
1. Outlander - Scottish Horse Breeds
This is my number one because it was my first post. I will always remember how nervous I was when I published this and the kind of feedback I would receive. Happily, it was received well and has been one of my most popular posts.
2. Ben Hur - Roman Chariot Racing
The first time I watched the chariot racing scene in the 1959 Ben Hur movie, my jaw was on the floor because I knew nothing in that scene was CGI. You could see the raw power of the horses racing around the hippodrome and the actors holding on for their dear lives. I had so much fun researching this scene and reading up on the history of horse chariot racing in the ancient Roman world.
3. Interview - Les Amis Stunt Team of Scotland
I was able to secure an interview with the Les Amis Stunt Team in Scotland and learn about the overall process and preparation that happens before a horse actor goes in front of a camera. I do hope to do more interviews with stunt people and movie horse handlers in the next year.
Thank you everyone who has supported me on my journey as an horse blogger. Thank you for all the comments whether they be on social media or in my blog's comment section. I hope everyone has a very happy New Year and I look forward to connecting with you all in 2018!
Today, I want to focus on a scene from the 1979 movie The Black Stallion. Watch here: Swimming Black Stallion saves Alec. In this scene, the stallion has already jumped off the burning ship into the water before Alec, the boy, falls in. When the stallion appears, he can be seen swimming towards the boy while keeping his head above water.
To film this scene, the film crew used an actual horse in a water tank and had attached wire cables to the sides of his halter to guide him towards the kid actor. You can see these wires in some of the shots. All the sudden, the horse's head gets pulled hard to his left side and turns him upside down where we can see his legs thrashing above the surface. This was actually a mistake done by the horse handlers as the person controlling the horse’s left side wire pulled too hard and flipped the poor horse over. Luckily, the horse was able to correct itself and get its head back above the surface on his own and swim on.
Horses can swim if they need to. Their bodies are buoyant enough to keep their heads just above the water to breathe and their powerful legs are able to push them forward. Horses in the wild will swim across rivers to richer grazing grounds or to escape from land predators if necessary. However, since they are not built for swimming, they can only tread water for a short time before they become exhausted, which puts them at great risk of drowning. I recently read a news article about a girl who took her pony swimming on the beach and the pony panicked in the water and swam further out into the sea because he did not know how to turn around, and then he drowned.
Many horse owners today love to take their horses swimming to cool off during the summer months. Some precautions horse owners should keep in mind is to make sure their horses become comfortable in water before they take them swimming. Also, be mindful that water does not get into the horse's ears as they can not drain easily and can get infected. Lastly, be mindful of hypothermia. A healthy horse’s temperature is between 99 - 101F (37-38C.) If a horse stays in cool water for too long, they can become hypothermic. A good rule of thumb to follow is if the water is uncomfortable for the rider, it’s probably uncomfortable for the horse.
Equestrians - have you ever taken your horses swimming?
Ever wonder how a horse is chosen for a film role and what preparations need to happen before a horse sets foot in front of the camera? I was able to interview the Les Amis Stunt Team from Scotland to help answer these questions and get some wonderful insight on what goes on behind-the-scenes to prepare horse actors to work in a film production.
Can you tell me about who the Les Amis Stunt Team is, where you are based out of, and what you do with horses?
We are a stunt team based in the borders of Scotland. We specialise in live performance shows such as cossack style trick riding or jousting & themed stunt shows such as wild west or barbarian shows, which we take all over the UK & Ireland. We also perform a lot of equestrian theatre shows, bringing theatre and horses together.
Within our shows we perform many stunts such as rider falls, drags & many trick riding moves, our horses also perform many tricks such as bowing, standing on pedestals & rearing up. Being able to perform trick riding, stunts & horse tricks you have a perfect advantage before going onto a film set.
We have been asked to & have done bits & pieces of small film & T.V jobs with our own horses, but on larger productions we work for larger teams & supply riders & grooms only.
When film makers contact you requesting horses, do they usually know exactly what kind of horses they want for their film or do they ask you for suggestions based off what their film is about?
It can really depend on what the film needs as to if they will ask for a specific horse or type of horse. For example we have recently been involved in a production about a viking princess, so they were obviously looking for a Norwegian Fjord horse as another breed would not have really worked. Which was perfect for us as we have Onion our Norwegian Fjord horse, who has been with us for nearly 10 years.
Generally for smaller productions or back ground work they just need the horse & rider combination who can do the job properly. Although most productions will prefer Friesian & Andalusian horses.
When organising with the production you have to discuss what is required of the horses & riders, make sure you have a place to livery the horses close enough to set & organise enough ground crew to look after & prepare the horses for their days work.
As we are based in Scotland we like to keep things local, so if it is possible we will transport our horses back to our farm or in the past have had the production company come to our 75 acre hill farm or local area to use as the set.
Do you research and make/order historically accurate horse tack for the different time periods the films take place in or do you usually use modern equipment?
A combination of both really, accuracy is a very important part in many film jobs but safety during stunts is paramount. Generally we (Les Amis) make all of our own saddle, bridles, trappings & breastplates. We make our trick riding saddles, historical saddles (such as roman & border riever) & historical side saddles, this way the fit to the horse is best & we can make the saddle exactly how we want/need it.
Other equipment such as harness and general purpose saddle we will purchase. With the exception of roman chariot harness, I am not sure where you would start to look to buy those, but luckily our saddlers whipped them up as easily as anything!
For our live shows we research what era tack we are in need of, so we have a bit of a stock pile when a film jobs comes up.
I am curious about what goes on during a typical day on set with a horse. Do the horses get lunged before filming to get their jitters out and help them to be more calm for the actors riding them? What else needs to be done to prepare the horses for a day on set?
Generally the day will start by feeding the horses & transporting them to location, once there usually the grooming or washing will start. Tack & equipment are often cleaned before heading to location, but if not then it will also need to be cleaned before it goes to set! (even though it is often covered in dirt by the break down department immediately!)
Yes, the horses will be either exercised before an actor rides them or warmed up before going onto set, if they will be expected to work quite hard. More often than not horses are just in the background, so they are just needed to stand & chill out while the actors do their bit.
Do you ever need to help horses get accustomed to props, actors' costumes (such as big frilly hats), or set pieces? Ever have problems of horses shying away or becoming nervous of what they see on set, such as large filming equipment?
With our own horses they all undergo a lot of training & desensitisation to strange & scary objects & with an understanding of training they are all very good at quickly calming down if something has frightened them. It is very good for us to be able to take our horses out to live performances as performing in a main arena with thousands of spectators is a good start to working around the hustle & bustle found on a set. With a combination of young and older/experienced horses the young/inexperienced ones take great confidence from the others.
Personally our horses all live out as one big herd which gives them the ability to trust in their own instincts as well as following their lead horses into worrying situations.
I have seen interviews where actors confess they did not know how to ride a horse before shooting their film, but told their casting director they did to help them get the part. Do you find most of the actors you work with have some horse riding experience or all they all true beginners?
The actors that we have worked with with our own horses have all had a fairly basic knowledge of riding, so a lesson or two is needed before going in front of the camera.
We are more than happy to take the time to help an actor with their riding as it will be of great benefit to the film & also a benefit to the horse he/she will ride.
Which of your horses gets the most requests for film work?
The main horse that has particularly been requested is Onion our Norwegian Fjord horse & this is of course because of his breeding.
I see most of your horses are Friesians and Andalusians, which are two very common breeds used in movies and shows now a days. Why do you think they are so popular in movies and shows today?
Friesians & Andalusians are very ancient breeds, so for historical shows or movies they are a very accurate breed. They are also particularly fancy & amazing to look at, which gives them the wow factor when performing in front of a live audience or a camera. But they are also lovely to train & work with & will really put their all into learning a new trick or movement!
Follow Les Amis Stunt Team on social media.
Special thanks to Les Amis Stunt Team for the wonderful interview! I look forward to seeing you and your horses on the big and small screens!
Why don’t humans ride zebras? When I was younger, I always wanted to own a zebra after watching the National Geographic shows and save them from the lions and hyenas.
In the film Racing Stripes, a zebra gets left behind by a circus and then is rescued by a farmer and his daughter who live near a horse racing facility. After watching the racehorses, the zebra decides to become a racehorse with the farmer’s daughter, and they take a journey that ends with them winning a race against the formally trained Thoroughbred racehorses and earns their respect.
This film begs the question, why were zebras never domesticated by humans? They would have been very helpful for African tribes to use to farm and haul supplies, so why were they never yoked and broken to ride? After doing some research, I found out humans have tried many times to harness and saddle the zebra, but the problem was that zebras could never be truly tamed by man, unlike their European equine cousins. During the British colonization of Africa, there were attempts to domesticate the zebra as it would have saved the expense of importing horses from Europe and acclimating them to the hotter and drier climates, and new diseases. There was very little success in taming the zebras as they were very difficult to catch, and were very aggressive and unpredictable. Some people who have recently tried to ride zebras under saddle say they will be completely fine one day and the next day act like they have never seen a saddle nor a human before. Zebras tend to cause the most injuries even to familiar zookeepers.
One famous example of “successful” domestication was when Lord Rothschild famously harnessed four zebras and had them pull a carriage to Buckingham Palace, but even Lord Rothschild admitted he would not do anything beyond putting the zebras in harnesses.
So what makes zebras different from their European equine relatives? The big difference is their environments. Zebras have always lived in the African savanna where there are many large predators such as lions, crocodiles, hyenas, and man. Comparatively, European horses did not have as many predators in their habitat, so they did not need to develop such high alertness and very aggressive behaviors to fight off predators. Without these intensified survival instincts, European horses were more trusting and were able to bond with humans, and then throughout the millennia of domestically breeding out aggressive behaviors, man and horse have created a very close relationship, while zebras have kept their primal survival instincts intact and their distance from man.
Hayden Panettiere, the actress who rides the zebra in the movie, did say in an interview she tried to bond with the four zebras used in the film, but it was difficult and they would kick and bite at her. She also said riding a zebra was very different from riding a horse as they are short and wide. I also bet their gaits are not very smooth.
If a zebra was able to be domesticated, could it competitively race against Thoroughbreds? One may think that having to run away from lions would make it a very fast runner. Zebras can run 35-40 mph which is about the same speed that Thoroughbreds typically race at, however, zebras are not endurance runners. Zebras may be able to keep up with a Thoroughbred in a short sprint, but not in a mile long race.
Seriously, how fun would it be to see people riding zebras at horse shows today?
In Season 1 of TURN: Washington’s Spies in the episode “Against Thy Neighbor,” Captain Simcoe secretly feeds Major Hewlett’s beloved horse, Bucephalus, a poisoned apple. Once Bucephalus ate the apple, he immediately reacted by violently bucking and rearing, and then ultimately collapsed with foam coming out of his mouth. To relieve the horse’s suffering, Captain Hewlett shoots his horse in the head.
This scene got me thinking about what poison(s) existed in the late 18th-century that could have had an immediate and sudden effect on a 1,300 lbs (I am estimating) horse, and be small enough to hide in an apple.
Before I start examining possible poisons Captain Simcoe may have used on Bucephalus, let’s first look at the design of a horse’s stomach. One of the biggest drawbacks to the horse’s digestive system is that it cannot regurgitate anything that enters the stomach. The ability to regurgitate is a body’s defensive mechanism to quickly push out harmful parasites and material, but horses cannot perform this action because of the way their stomachs are designed. The muscles around their lower esophageal sphincter are so strong that they can’t relax enough to let gas and food go back up the esophagus. Once something enters a horse’s stomach, it can only go one way, so a horse needs to be cautious of what it eats. Typically, horses will avoid certain bitter tasting plants that are known to be poisonous or unhealthy. If something tastes very bitter, a horse will usually spit it back out. When my horse injured his knee, I had to give him some bitter tasting anti-inflammatory medication for a week. He refused to eat the medication alone, so I had to mix it with some honey and hide it in his molasses grain for him to eat it.
So what poison could Captain Simcoe have used that was available in the 18th-century that would have immediately harmed the horse, not have a strong bitter taste, and be small enough to disguise in an apple? One possibility is a chemical called strychnine. Strychnine was a popular poison used in the 18th-century mostly to kill rats and other rodents, and sometimes people. Its symptoms included immediate muscle stiffness and then ultimately suffocation because the airway muscles would become paralyzed. However, it would also take a very large dose to kill a horse. Bucephalus did not show these symptoms and the amount of strychnine needed to harm him could not have been disguised in an apple. The possible and the most probable poison used was arsenic. Signs of arsenic poisoning in a large dose are abdominal cramping, diarrhea, vomiting, and then shock. Arsenic does not have a bitter taste and a large dose is small enough that it could have been hidden in an apple. While current horse owners, hopefully, do not need to worry about their horses being intentionally poisoned, horses do die from accidental poisoning by consuming very poisonous plants that can be found near pastures or in gardens. Here are six plants that are common in the United States and can be found in Europe that are highly toxic and can quickly kill a horse.
Water Hemlock - Found near fertile and wet areas. It takes about 2 pounds to kill a horse and can be fatal within 15 minutes of ingesting.
Yew tree - This causes sudden respiratory and cardiac arrest. One mouthful can be fatal. Horses have been found dead with the leaves still in their mouths.
Red maple leaves - The leaves become poisonous when they wilt. Consuming only 1 to 2 pounds can cause kidney and liver failure.
Oleander - Mostly grows in hot climates and planted in gardens. This affects the horse’s heart rate. About 30 to 40 leaves can be fatal.
Foxglove - Grows near forests and meadows and very common in gardens. 3-4 ounces can stop a horse’s heart.
Rhododendron - Typically found in gardens. 1-2 pounds of leaves can lead to cardiac arrest a few hours after consumption.
In the show Downton Abbey, there are a couple scenes over the seasons showing Robert Crawley, Earl of Grantham, and his oldest daughter Lady Mary Crawley hosting a fox hunt. First, a brief history about English fox hunting. English farmers would take their packs of dogs over the countryside to hunt foxes who threatened their livestock. It was not until the 18th-century when an aristocrat named Hugo Meynell bred hounds specifically for hunting foxes and used horses for the chase across the English countryside. Foxhunting then became a popular sport for the rural aristocracy. While fox hunting has been banned in most of Britain due to concerns in regards to animal cruelty and property trespass, the equitation skills and traditions still live on and are celebrated in English riding disciplines and competitions today.
First, let’s look at the coats worn by the hunters. Watch this scene and pay attention to the colors and the number of buttons on each character's coat. Downton Abbey Fox Hunting scene.
During the official fox hunting season starting in the autumn after the harvests, the riders wore melton coats - tightly woven wool coats with a smooth finish - that kept the riders warm and dry. The colors and number of buttons distinguished the staff and other participants in the party. The main hunting staff were the Master of Foxhounds, the Huntsman, and the Whips.
The Master of Foxhounds organized and directed the hunt. He would wear a scarlet, single-breasted coat with square corners and four brass buttons.
The Huntsman directed the hounds and carried a horn to communicate with the participants in the hunt while the Whips carried rope or leather whips, as you saw in the scene, to keep the hounds together. They all wore scarlet coats with round corners and five brass buttons. Gentlemen, such as Lord Grantham, could wear a scarlet coat or a black coat with three buttons, and ladies riding astride could wear a dark navy, grey, or black coat like Lady Mary. The hunting staff would wear bowler hats while the gentlemen could wear either a bowler hat or a top hat. Everyone would wear white stocks around their necks with a horizontal pin, tan or white breeches, and a black knee high boots. The stocks and pin could serve as a bandage for a wound or use as a sling if the rider was injured on the hunt. The knee high boots protected the lower legs from being scratched by bushes and brush. In modern competitions, hunt riders and jumpers will usually wear a black or navy coat typically with three buttons and a white shirt underneath with a high collar and pin.
It was not unusually to see ladies participate on the hunt with the gentlemen, but usually they rode in a sidesaddle. Watch this clip of Lady Mary in a sidesaddle: Downton Abbey - Lady Mary in habit.
Lady Mary was wearing a riding habit, which was a full length dress designed for riding in a sidesaddle. When the lady sat in the saddle, her dress bottom hem would hang horizontal and not slanted like a normal dress. In this clip, Lady Mary was also wearing a double-breasted, dark melton coat with a top hat and thin veil. Personally, I would not mind wearing a veil while galloping through the countryside as it would help keep the bugs out of my eyes and mouth. Women who ride sidesaddle in shows today still wear riding habits with top hats and a veil.
Horses and Equipment
There was no designated hunting horse breed, but a rider would want a horse that was athletic, sound, and obedient. Thoroughbreds or Thoroughbred-crosses were the most popular choices because of their stamina and ability to jump high, but ponies and even light draft breeds were used by hunters.
The saddles, called hunt seats or forward seats, position the rider to sit forward. Unlike other English saddles, the stirrups are shortened making a deeper bend in the rider's knees. This helped the rider to lift his or her weight out of the saddle into a "two-point contact" position - the rider’s legs are the only points of contact with the horse vs a "three-point contact" where the rider's buttocks are in the seat. The two-point position takes the rider's weight off the horse's back to allow the horse greater movement to run faster and jump higher. I grew up riding in a western saddle, so when I rode in a hunt saddle for the first time, I felt like I was perched on top of the horse and had to balance myself more, but I could tell how my horse did have more freedom to move. Hunter horses were ridden in a simple bridle and snaffle bit with one rein. Sometimes pelham bits, a combination of a snaffle and curb bit with double reins, were used on less experienced horses.
Watch this clip of Pamuk and Lady Mary going over a fence and through water: Downton Abbey - Pamuk and Lady Mary.
There were many obstacles throughout the English countryside for hunters to overcome, such as stone walls, wooden fences, hedges, ditches, logs, water, and uneven terrain. The horses had to be accustomed to these obstacles and trustful of their riders to lead them through. These equitation skills can still be seen in equestrian competitions today, such as cross-country equestrian eventing.
Some equestrian cross-country eventers write about their competitions and the challenges they and their horses face, such as amateur British equestrian Nicki Strong, author of Head Strong Equestrian. Check out her blog www.headstrongequestrian.com and her Facebook page Headstrong Equestrian to see all the amazing photos of her and her horses riding through courses that replicate the obstacles similar to the ones found in the English countryside.
Aspects in the fox hunting sport have changed in recent decades and there is still much active debate about the future of the sport, however, the equestrian skills and traditions that have developed in this sport are still seen and celebrated around the world in equine competitions, including the Olympics.
The scene we are going to look at in this post is from Game of Thrones Season 1 when Ser Loras Tyrell challenges Ser Gregor Clegane "The Mountain" to a joust. In this scene, Ser Loras rides a white mare and Ser Gregor rides a black stallion (click here to watch). You will notice the black stallion starts nickering and becomes agitated when the white mare gets close to him. As Lord Petyr Baelish "Littlefinger" then explains later to Ned and Sansa Stark, the white mare is in heat, giving off a scent signaling she is ready to mate and causes the the black stallion to become distracted, which ultimately makes Ser Gregor lose the match.
The sex of the horse was an important factor to consider for soldiers and noblemen when choosing a war horse. Considering the two choices - a stallion (male) or a mare (female)- there were benefits and vices to each sex. Stallions develop thicker muscles than mares, which helps them to carry heavier loads and run faster. They also tend to have more energy. The main drawback in stallions is their proneness to become aggressive. In the wild, stallions fight each other over mating rights to the mares. Domesticated stallions still have these strong instincts to fight and reproduce, which generally makes it difficult for their human masters to control them when other horses are nearby, especially mares in heat. There are exceptions to this general statement as many well trained stallions in high level competitions today do not always, if at all, exhibit aggressive and uncontrollable behavior.
Mares tend to be more docile than stallions, but they also can have troublesome behaviors, especially when they are in heat in the spring and summer months. They can be inclined to nip and buck at other horses, and be overall grumpy. Some mares become very sensitive and unfocused, and have a difficult time minding their riders.
So, which sex did army soldiers tend to use? From records, stallions were the most popular choice, partially because the mares were reserved to reproduce and replenish the cavalry. However, there was still the problem of how to manage a group of testosterone-filled stallions and keep them from injuring each other while out on campaign.
There were some simple solutions to manage the stallions naughty behaviors, such as taking the very aggressive stallions away from the group and keeping mares away from the stallions. Wild stallions, who do not have a herd of mares, will live in “bachelor groups” and are able to cooperate with one another without any problems, so it can be assumed cavalry stallions could tolerate each as long as there were no mares to compete over. Muzzles were also used on some stallions who had the inclination to bite, but this was only a temporary solution until the stallions were trained out of that behavior.
A proactive method to prevent aggressive behavior from developing in male horses was to castrate them, turning them into geldings. Castration has been a practice in many ancient cultures for centuries. If a colt was castrated early, he could avoid developing aggressive behaviors and become very docile. He would not attempt to flirt or bolt at the mares and would not feel the need to fight other males.
Today, most horse owners castrate their male horses unless they plan to breed them. When castrated, horses usually are sedated and given an anesthetic before their testes are removed by a veterinarian. But how did people castrate stallions before the time of modern animal medicine and not get hurt by the horse who did not care to have his testicles removed? Well, there are a couple methods that have been found in old records. One method found in ancient Roman records was to use “gelding irons.” We can only guess what the irons looked like or how they immobilized the horse, but my guess is they would be used in the same way people use rope to temporarily impair a horse. Today in the US, some farmers will tie-up a colt’s legs, knock him over, and have others sit on him while someone cuts the testes with no anesthetic. Since horses are considered livestock like cows and sheep in the US, horses are not required to have a trained veterinarian castrate them, while in Great Britain, it is required by law that horses have a licensed veterinarian with medicine to perform the procedure.
Another method was to tie the testes so they would atrophy and fall off. This method had less risk of infection since there was no open wound, but would still be uncomfortable for the horse. Whatever the method used to castrate a stallion before modern drugs, it was never an easy task for the horsemen or a comfortable one for the horses.
Today, most people will opt to castrate their stallions to make them more manageable. Modern medicine limits the risk of infection, but back in earlier times, it would have been tough to risk having a well-bred stallion be castrated and be open to the great possibility of infection. Many people who do handle stallions today are usually very experienced horse handlers, and take extra precautions when handling them in the vicinity of mares. I personally thought it was very clever what Ser Loras did in this scene to give him an advantage. Maybe Ser Gregor should think about riding a mare next time.
Special thanks to Ruby and Hannah for their insights in working with stallions.
Ruby Butchers is the author of EquiPepper.com focusing on changing negative attitudes towards Thoroughbreds, in particular ex-race horses.
Hannah Ibbotson is the author of Jack's Kissing Spine Story that tells her journey with her horse Jack, and his recovery from kissing spine.
This article is slightly different from my previous posts, but it is still inspired by a movie. In modern movies and shows at the end of the credits, there is a phrase: “No Animals were Harmed.” This phrase is not put in the credits by the free will of the film producers to assure the audience they did not harm any animals in making their film, but the phrase actually needs to be granted by meeting the strict animal care guidelines written up by the American Humane Association. Founded in 1877 in Cleveland, Ohio, the AHA’s mission was to fight for the humane treatment of working animals and livestock. Before the AHA started monitoring Hollywood film sets in 1941, film makers had the liberty to do what they wanted to animals to capture dramatic shots, no matter the expense to the animals. There are numerous cases where animals were severely injured and/or killed during stunts with no precautions taken to prevent harm. It was all done for the sake of entertainment. Not until the AHA started bringing attention to the abuses that happened to animals in the film industry, did the public protest for humane treatment of the animal actors.
The 1936 movie Charge of the Light Brigade, starring Errol Flynn, was one of the early films that had a dark shadow cast over it for how cruelly the film director treated the horses. Errol Flynn wrote about the horse abuse in his biography My Wicked, Wicked Ways:
“Horses have been perhaps the most badly treated animals in the motion picture industry. Especially in the days when these early Westerns [Charge of the Light Brigade] were being ground out. A device called “the running W” was used on horses. A trip wire, to make the animals tumble at the right instant. The stunt man, riding the horse, knew where the trip wire was. He knew when he had to get off and all he had to do was take a fall. But the horse would go headfirst, and sometimes get hurt and have to be shot. They stopped this because so many horses broke their legs and their necks, and there were protests by the actors and the public.”
Here is a clip from Charge of the Light Brigade showing horses being tripped by "the running W." Unfortunately, this clip is very poor quality, but you can still see the horses falling: Charge of the Light Brigade - horse falls.
Hollywood did eventually start to find ways to get its dramatic shots with less harm to horses and the actors. Errol Flynn continued:
This gave ride to a wonderful breed of man. This was the stunt man who would train a horse so well that he could ride down the side of a cliff, and at a certain signal, the rider, putting his left foot under the horse, could trip him. The horse knew he would be tripped. It looked just as good, and nobody was hurt.
Since 1941 when the AHA became involved in Hollywood, the treatment of animals has drastically improved, resulting in less and less animal injuries and deaths on sets. Today, when a film wants to include animal actors, the producers need to contact the AHA and have their script reviewed by AHA representatives who will then make suggestions and changes in the script to insure the safety of the animals. An AHA representative will also be present on set with the animal actors to make sure the guidelines are being met, and then will approve the film to advertise that "No Animals were Harmed" in the credits. If you wish to see all the current guidelines, you can check out the AHA's website here: http://humanehollywood.org/index.php/on-the-set/certification-definition
From the AHA guidelines document updated in 2015, I pulled out a few rules that are specifically directed towards the humane treatment of horses and now prevent abuses that can be seen in Charge of the Light Brigade.
Actors riding and handling the horses
8-76 No cast members, extras or animal handlers shall be allowed to ride or work with a horse unless they have adequate riding skills and horse knowledge. At a minimum, all riders must be skilled enough not to jerk or twist the horse’s mouth. It is the producer’s responsibility to ensure that cast members obtain adequate training to prevent such unintentional cruelty.
8-77 Anyone required to ride on a production must first be auditioned by the wrangler boss to determine his/her riding ability. Productions, animal handlers and American Humane Association shall work collaboratively to ensure that people required to ride are qualified to perform the action required.
a. Only riders from the approved wrangler boss list may be hired.
b. Production must provide adequate lead time for such demonstration and determination prior to filming American Humane Association will have final approval of the skill, knowledge and physical limitations of any rider.
In this clip (click here) from Charge of the Light Brigade, the actors, including Errol Flynn, can clearly be seen pulling harshly on their reins and making their horses open their mouths in pain.
I really question how much riding and horse experience some of those actors had before this film.
Stunts and horse falls
8-87 When filming horses or livestock lying down, production must prepare the ground by making sure all rocks and other debris are removed. The ground should be softened by the use of peat, sand or other soft substance and/or by digging up the ground.
8-92 Only trained falling horses shall be used to perform horse falls; only trained jumping horses shall be used in jumping scenes; and only trained rearing horses shall be used in rearing scenes. Rearing horses must not be pulled over backwards.
8-93 For running horse/livestock falls, the ground shall be prepared to cushion the animal’s fall. In determining the number of falls allowed, consideration will be given to how the ground is prepared, length of approach, condition and skill of the animal, method of fall, and other adjacent action.
a. The ground should be softened either by spreading 4 or 5 cubic yards of sand, peat or other soft substance, or by digging up the earth, making sure that all rocks and rough clods are removed.
b. For running horse/livestock falls, the area should not be less than 20 square feet, 12 to 19 inches deep, and filled with sand or other similar materials. It must be checked for rocks, glass and other potentially harmful materials.
c. The softened earth should not be covered by materials that may lessen the effectiveness of the prepared ground. For example, grass clippings rather than sod should be used. The entrance and exit routes to the prepared horse-fall areas must be checked for hazards as well.
I highly doubt there was any ground prep for the horses to fall on in this film.
8-126 When a pistol is fired from horseback, the weapon shall be held at no less than a 45-degree angle to the horse’s head. This will decrease the chances of powder flashes causing burns to the horse’s corneas.
8-127 When firing a pistol or carbine from the ground, the weapon shall not be pointed at a horse.
8-128 When firing any type of artillery piece around horses, quarter loads must be used. Although an animal may be accustomed to loud noises, there is a danger of damage to an animal’s ears from the percussive force of the ammunition.
8-129 Artillery pieces being fired must be a minimum of 25 feet from the nearest horse.
In the scene during the gunfight, many of the horses looked very frightened by all the guns going off, indicating they were not desensitized to the gunshot sounds. I also wonder if any of those guns were at half charge.
Hollywood has come a long way in treating its horses and other animal actors with dignity and respect. In other film and show interviews I have seen, the human actors mention the animals usually get better treatment than any person working on set. Since the strict guidelines of the AHA have been implemented on film sets, filmmakers have come up with creative ways to display dramatic, astounding shots that feature horses without compromising their safety, whether it be by the camera angle or by using puppets or CGI.
It’s comforting to know when I watch a scene in a modern film and I see a horse performing a fantastic stunt, I know the horse and the stunt person are well trained and strict precautions have been taken to ensure their safety. However, knowing what I know now after researching the abuses done to horses in early films, my heart aches and it sickens me knowing that the horses were very likely ill treated, injured, and possibly killed during the making of those films.
In the 1990 movie Dances with Wolves, I want to examine the symbolism behind the markings plains Indians painted on their horses. It is commonly believed that Indians only painted their horses for battle, but they were also painted before buffalo hunts. Specific symbols were reserved for hunting to display a horse's past achievements, and bring protection and good luck to the horse and rider. Watch this clip on YouTube that features the character John Dunbar (Kevin Costner) riding with the Lakota warriors to a buffalo hunt, and pay attention to the symbols painted on the horses.
On Dunbar's horse, named Cisco, there were zig-zag patterns painted on his legs. These symbols represented lightning bolts that gave honor to the lightning god and were believed to give the horse greater speed.
Kicking Bird's horse, the white horse in the group, had a ring painted around its eye and blue patches with white dots on its shoulder and rump. The ring around the eye was meant to enhanced the horse's vision while the blue with the dots represented the buffalo tracks in the ground, which indicated the horse had participated in successful buffalo hunts in the past.
Wind in His Hair's horse, a dark bay, had horseshoes on its hind quarters and a hand print on its shoulder. The horseshoe symbols showed how many other horses this horse helped steal from rival tribes and European settlers. It was common for plains Indians to steal horses to enlarge their own tribe's herd. The hand print on the shoulder meant that the horse brought its owner back from a previous dangerous mission.
Other hunting symbols that could be painted on horses were a circle around the nostril to enhance the horse's sense of smell; a fence painted on the jaw to keep the good luck from escaping from the mouth; a buffalo painted on the shoulder gave thanks to the Great Spirit for past kills; yellow triangles on the hooves made the horse more sure-footed and nimble; and the sun was to wish for good weather as it was dishonorable to hunt during bad conditions.
Paint colors did have some meaning to individual tribes, such as red for the color of blood and blue for the color of wisdom, but individuals would use what ever colors were available at the time with no special meaning. Colors were usually made out of different colored soils, charcoal, and flowers; and then were mixed with something to help it stick, such as animal fat or urine.
Here are some fun facts about the buffalo hunt scene in Dances with Wolves:
I am Amy. I love movies, TV, and horses. I grew up with horses and taught kids how to ride during my summer breaks from school. Now I am a country girl living in a city hoping to someday move back into a rural area and own a horse again.